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cast
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Sid James |
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Barbara Windsor |
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Kenneth Connor |
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Bernard Bresslaw |
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Jack Douglas |
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Peter Butterworth |
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support acts
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The New Dollys |
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Trudi Van Doorn |
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Les Silhouettes |
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Lynn Rogers |
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Les Quatre Rosetti |
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Written By |
Talbot Rothwell
Dave Freeman
Eric Merrimen |
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Presented By |
Louis Benjamin |
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Producer |
Peter Rogers |
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Executive Producer |
Albert J . Knight |
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Comedy Director |
Bill Robertson |
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Choreographer |
Tommy Shaw |
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Designer |
Tod Kingman |
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Costume Design |
R. St John Roper |
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programme
For six years Sergeant Grimshawe has been a training sergeant but never
the leader of a Star Squad. He accepts a bet from another sergeant that in
the next intake, his last before retirement, his squad will pass out top.
The next day Sergeant Grimshawe and his corporal, Corporal Copping, keenly
survey the new arrivals. Among them are Charlie Sage, who was married the
same morning to Mary and received his notification to report at once to
the army during his wedding reception; Horace Strong - a weak willed
hypochondriac who imagines himself to be suffering from every disease
known to medical science and many that aren't; Miles Heywood - a popsy
chasing layabout; Andy Galloway - a rock and roller; Pete Golightly - the
clumsiest of clumsy types; and James Baily - an out-and-out individualist
who considers the army old fashioned. Unfortunately for Sergeant Grimshawe,
all these have been assigned to his squad.
Grimshawe tells Corporal Copping that he's been lumbered with a right
shower and has no chance of winning the bet. The Corporal advises him to
try kid glove tactics instead of his normal raging manner with the
recruits.
That night the new boys visit the NAAFI along with Herbert Brown who has
been on one training course after another and never qualified. Charlie,
much to his delight, finds that Mary, his newly wedded wife, has followed
him to the camp and wangled a temporary job in the NAAFI. She is
befriended there by Nora who falls for Charlie's mate Horace. He is
petrified when Nora starts making advances towards him.
Mary tells Charlie that Nora has fixed a spare bedroom for their wedding
night. This doesn't work out quite as planned as both end up talking words
of love to Sergeant Grimshawe!
The following morning Horace reports sick with a long list of imaginary
ailment and is shocked to see a female medical officer - Captain Clark.
This is the first of many visits to the M.O.....
As days of training pass by, Sergeant Grimshawe and Corporal Copping are
becoming more and more gloomy. The squad is the most awkward and difficult
they have ever handled and there seems no chance at all of them winning to
coveted Star Squad prize. They have an uncanny aptitude for making the
worst possible mess of everything they tackle.
The M.O. is fed up with Horace's visits. So she takes him to six
specialists who confirm that there is nothing whatsoever wrong with him.
What's more, they manage to convince him of the fact and he emerges a new
man. Nora is delighted, but more than a little frightened when the new
Horace gives her the caveman treatment.
In the hut the night before passing out parade (Sergeant Grimshawe's last
day in the army) the shower decide that he has, after all, treated them
pretty decently. With the new Horace in fine form they decide to give him
an end of service present - and win the Star Squad award.
The passing out parade is watched by Captain Potts who is amazed to see
what the Grimshawe squad can do. As they perform task after task with
fantastic efficiency Grimshawe watches with tears in his eyes.
The squad have made it and with the Sergeant at their head, they march
past the Inspecting General as the Star Squad. Grimshawe's ambition has
been fulfilled.
review
In March of 1958 the first 'Carry On' film started rolling. Obviously
unaware that the would turn into a series of 31 films, Sergeant is a
pretty standard example of British comedy towards the end of the 1950's.
Indeed, the popular ITV sitcom 'The Army Game' had recently had a film
version made entitled 'I Only Arsked'. This had taken a great deal of
money on the local cinema circuit and keen to tap in to the same audience,
the Carry On creators made this, the first Carry On.
A major boost to the picture was the presence of William Hartnell, who was
taking a sabbatical from the aforementioned Army Game in his role of Sgt.
Bullimore. Other famous names were Charles Hawtrey and Norman Rossington
who were also linked with the Army Game, 'Billy Bunter' Gerard Campion, a
young comedian by the name of Bob Monkhouse was cast as the romantic lead,
Kenneth Williams man of a thousand voices from 'Hancocks Half Hour', and
stealing the film completely - Kenneth Connor. All were well known faces,
but none was a cinema star. That however, would soon change.
Interestingly enough, none of the players who would go on to be series
mainstays (Connor, Williams, Jacques and Hawtrey) got high billing in this
first outing. Although its fair to say that they all steal the show in
whatever scenes they're in, especially Connor.
Overall this was a good solid start to the series, although compared to
the later Carry Ons, very coy. The romance in the film between Bob
Monkhouse and Shirley Eaton is something that we can do without and
doesn't really add anything to the film. We want to see bumbling recruits
and their exasperated Sgt, rather than Bob and Shirley's antics on their
wedding night. Thankfully after this one, the romance aspects of Carry On
was gradually phased out, and disappeared completely when Talbot Rothwell
took over writing duties from Norman Hudis. However Hudis' script does
contain more than enough 'awful' jokes that would typify the series.
However at the time Army comedies were proving very popular with the
Cinema-going public. The film made its money back within a few days on
release so a sequel was inevitable, although nobody would have imagined 30
sequels developing...
other information
Apparently William Hartnell was rather like his character off screen,
and could regularly be heard barking at actors who fluffed their lines.
Indeed, a visiting brigadier was highly complementary to Hartnell's
drilling technique.
Kenneth Williams was paid just £800 for his role as James Bailey in
Sergeant. This rose to £5,000 when Cruising started filming.
Location filing took place in the Queens Barracks in Guildford, Surrey.
Sergeant became the the third highest grossing film for 1958.
Kenneth Williams was up to his old tricks on the film. Whilst everyone's
back was turned, he smeared the rope used in the assault course with
butter. Leading to much exasperation from Bob Monkhouse.
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