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cast
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William Wakefield |
Ted
Ray |
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Gregory Adams |
Kenneth
Connor |
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Michael Bean |
Charles
Hawtrey |
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Alistair Grigg |
Leslie
Philips |
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Edwin Milton |
Kenneth
Williams |
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Grace Short |
Hattie
Jacques |
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Sarah Allcock |
Joan
Sims |
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Felicity Wheeler |
Rosalind
Knight |
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Alf |
Cyril
Chamberlain |
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Robin Stevens |
Richard
O'Sullivan |
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Billy Haig |
George
Howell |
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Harry Bird |
Roy
Hines |
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Penny Lee |
Diana
Beevers |
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Pat Gordon |
Jacqueline
Lewis |
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Sheila Dale |
Carol
White |
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Atkins |
Paul
Cole |
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Irene |
Jane
White |
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Boy |
Larry
Dann |
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Screenplay |
Norman Hudis |
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Producer |
Peter Rogers |
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Director |
Gerald Thomas |
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plot
During the present term at the Maudlin Street Secondary Modern School,
William Wakefield, who has been at the school for 20 years - has been
acting headmaster. He spots an advertisement for a headmaster of a brand
new school very near where he was born and decides to apply for the post.
It's because of an impending visit by a ministry of Education Inspector,
Miss Wheeler, and noted child psychiatrist Alistair Grigg; he decides to
enlist the help of his staff to ensure that the school routine runs
smoothly during their visit.
While in conference with his teaching staff, who include Gregory Adams,
science master; Edwin Milton, English master; Michael Bean, music teacher;
Sarah Allcock, gym mistress and Grace Short, maths teacher; a senior boy
pupil overhears that Wakefield is planning to leave at the end of term. He
immediately rushes this information to his colleagues who plan to sabotage
every endeavour that might earn Wakefield praise, which would set him on
the road to his new post.
On arrival, Grigg and Miss Wheeler are escorted by Wakefield on a tour of
inspection and the pupils go out of their way to misbehave in each class
they visit. However Griggs tour has not been in vain, he has taken a shine
to Sarah Allcock, the gym mistress and it is obvious the feeling is
mutual.
Miss Wheeler is disgusted at the behaviour of the children towards the
teachers, but is softened when she visits the science master's class,
where she feels an instinctive maternal affection for the charm of the
nervous science master, Adams.
Wakefield feels now his position as headmaster of the new school is in
jeopardy and on seeing Miss Wheeler’s interest in Adams, enlists his help.
He asks Adams to make advances to Miss Wheeler to win her over. Adams is
aghast at the very thought, but eventually agrees to do his best.
After many unsuccessful attempts to tell Miss Wheeler of his love, Adams
finds an untruth has become truth and finally finds enough courage to
declare his love.
The pupils meanwhile, have been doing everything in their power to make
things go wrong, and on the last day of term are caught trying to sabotage
the prize giving. They are told to report to Wakefield’s study and after
much cross-examination he learns the reason for the weeks events - the
pupils simply did not want to see him leave. Wakefield, very touched,
tells the children he cannot leave and will see them all next term.
Miss Wheeler, softened by her newfound love, announces that she intends to
tell the Ministry that staff/pupil relationships at the school are
excellent.
review
Carry on St Trinnians? Like the famous girl school comedies that
proceeded Carry on Teacher, the plot deals with unruly pupils and the
teachers efforts to control them. Unfortunately this one has the dubious
honour of being the weakest of the black and white outings, the story has
a tendency to drag from time to time and some parts can be plain boring.
Norman Hudis, the writer on the first six in the series, always had a
tendency to display a coy, cosy world in his screenplays, none more so
than here. The film portrays a very quaint view of the British school
system. The pupils actually really LIKE the teachers? What stuff of
nonsense is this?! Not that there's anything wrong with that, it's just at
times you could really do with a Sid cackle or some Kenneth mincing. Here
Kenneth is still acting rather than taking his mannerisms up to full
throttle.
Mind you, they did squeeze in the line "Are you satisfied with your
equipment, Miss Allcock?", which demands some degree of respect,
considering this was still the 1950's. There's also the moment when
Charles Hawtrey and Kenneth Williams inadvertently kiss each other on the
cheeks......then Charles slaps him on the face. That moment alone hoists
the film up from a three star to a four star, cos it's so bloody funny!
Another highlight is when the school stage Shakespeare and the look of
embarrassment on Ted Rays face as he sinks lower and lower into his chair
due to the sheer ineptitude of the pupils.
In his only Carry On film, Ted Ray does a good job of playing the stressed
headmaster and he seems to fit in well with the team with neither
overshadowing each other. Alas, it was never meant to be with Ted Ray (see
below), but we can't help thinking how different the series would have
been if Sid had never been employed to fill Ray's shoes in the next film.
Overall it's enjoyable enough, though certainly not the best example of
Carry On humour. It has its moments though, but they can be few and far between.
Then again, the girlfriend loves it, so what do I know?
other information
Ted Ray was under contract to Associated British (ABC), but wasn't
used by them. So they weren't happy when he turned up in another
distributors film, especially one as successful as Carry On Teacher. Due
to the possibility of the film not getting a release on the ABC cinema
circuit, Ted Ray was quietly dropped.
Look out for the young Richard O'Sullivan and Larry Dann. O'Sullivan would
go on to star in numerous Thames Television comedies such as Man About The
House, whilst Dann would crop up again in Behind, England and Emmannuelle.
The outdoor locations were filmed at Drayton Secondary School in West
Ealing.
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