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cast
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Captain S. Melly |
Kenneth
Connor |
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Sgt Major Bloomer |
Windsor Davies |
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Sgt Tilly Willing |
Judy Geeson |
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Sgt Len Able |
Patrick Mower |
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Bombardier Ready |
Jack Douglas |
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Brigadier |
Peter Jones |
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Pte Alice Easy |
Diane Langton |
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Gnr Shorthouse |
Melvyn Hayes |
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Major Carstairs |
Peter Butterworth |
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Ffoukes-Sharpe |
Joan Sims |
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Major Butcher |
Julian Holloway |
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Captain Bull |
David Hodge |
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Gunner Shaw |
Larry Dann |
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Gunner Owen |
Brian Osborne |
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Melly's Driver |
Johnny Briggs |
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Corporal Cook |
Patricia Franklin |
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Nurse |
Linda Hooks |
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Officer |
John Carlin |
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Officer |
Michael Nigtingale |
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Freda |
Vivienne Johnson |
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Gunner Hiscocks |
Jeremy Connor |
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Gunner Parker |
Richard Olly |
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Gunner Thomas |
Peter Banks |
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Gunner Drury |
Richard Bartlett |
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Gunner Childs |
Billy J Mitchell |
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Gunner Sharpe |
Peter Quince |
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Pte Murray |
Tricia Newby |
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Gunner Gale |
Paul Tothill |
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Private Evans |
Louise Burton |
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Private Edwards |
Jeannie Collings |
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Private Taylor |
Linda Regan |
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A.T.S. |
Barbara Rosenblat |
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Screenplay |
Jack Seddon &
David Pursall |
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Producer |
Peter Rogers |
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Director |
Gerald Thomas |
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plot
The Privates in an experimental mixed anti-aircraft battery somewhere in
England at the start of World War II have so far defied every effort to
bring order into their ranks and deviate them from the unremitting
determination to make love not war.
As a last resort, the powers-that-be decide to send well meaning but
bungling. tetchy little Captain S. Melly to try to knock some shape into
the unruly mob.
He does not receive the support he expects from his Sgt. Major, 'Tiger'
Bloomer, whose customary method of exerting authority through a barrage of
ear splitting expletives is gagged by the presence of the battery
'chicks'.
Foremost among the rankers who try to foil Melly's every effort at
discipline are Bombadier Ready, Sgt. Willing, Sgt. Able, Private Sharpe,
Gunner Shorthouse and Private Easy.
After a disastrous turn-out on the barrack square, which Melly scathingly
likens to a 'love parade', the mini-bulldog of a man determines to put
pressure on his mutinous bunch of recruits by segregating the sexes
entirely until they have learned their lesson. This he does by putting a
huge, explosive 'hen coup' of barbed wire round the girls hut.
The frustrated troops retaliate by tunnelling under the field to each
others quarters, leaving so much hollow ground behind that when their
first anti-aircraft gun arrives to replace their wooden dummy, it sinks
into a morass of soft earth before a single shot can be fired.
Ready, Willing, Able and their mates are so incensed by Melly's
interference with what they consider their amatory rights, that they
determine to turn Melly's inspection of the 'reformed' battery by the
Brigadier and his aide, Carstairs, into the biggest possible shambles.
At the height of the chaos, the air raid siren wails out over the square
as a German air armada, pursued by a squadron of spitfires, approaches
overhead.
By sheer beginners' luck, Melly's men and women bring down every enemy
aircraft in triumph, although Captain Melly gets a bit of a battering in
the rush to man and fire the gun.
He ends up with two splintered fingers in the shape of a 'V' which is
thought to have inspired a famous war leaders victory sign.
review
Hotly debated in Carry On circles, Carry On England is often uttered
in the same breath as Carry On Emmannuelle as to which is actually the
worst of the series. We're going to stick our necks out here and say that
England is marginally better than Emmannuelle.
That's not to say that England is a good film. It isn't. The main problem
with it is that the regulars seem woefully out of place, especially (by
her own admission) poor Joan Sims and it doesn't really feel like a proper
Carry On. Another factor to consider is that Sid James had recently died
just before filming commenced, no doubt putting a dampener over the whole
shambles.
By this stage in the game, the comedy had moved away from the double
entendres and comic banter and had been replaced by smut. A good example
is Patrick Mower singing along to a tango and instructing Judy Geeson to
'Get those pants down'. Hmmm, nice.
Obviously when opportunity came knocking for Judy Geeson and Patrick
Mower, they didn't pretend they were in the bath. What they're doing in
this is anybodies guess, but it doesn't seem that either of them can cope
with comedy. Although that might have more to do with the banality of the
script rather than they're acting skills.
We also get very little sense of historical setting. Its supposed to be
set in 1940, but apart from the stock footage of Winston Churchill and the
German planes, this could have been set anytime during the last 50 years.
The film does have some redeeming features though. The most notable being
the partnership between Kenneth Connor and Windsor Davies. Peter
Butterworth is always great as well and there's a great cameo from Julian
Holloway as the MO - 'What have you been doing? Arsing about?!'
Overall though the film is tired, laboured and for the most part unfunny.
It knocked the series into a spiralling decline as it was now trying to
compete with the 'Confessions Of' series of films...
other information
The film was originally considered for ATV's Carry On Laughing TV show.
However Peter Rogers liked the idea, so it was extended into a feature
film.
The film was originally rated an 'AA', but after a disastrous performance
at the box office, it was quickly re edited into the usual 'A'
certificate.
This was the first major flop since Carry On At Your Convenience five
years earlier and only made its costs up thanks to television and video
sales.
The role of the Brigadier was offered to Kenneth Williams, who was unable
to accept due to stage commitments. Wise move there Ken!
The team yet again use the Pinewood Orchard as the location for the Army
camp.
The film includes some shots of British and German aircraft taken from the
film 'The Battle of Britain'.
bloopers
When the toggle on the gun is pulled back that supposedly injures Kenneth
Connors fingers, it doesn't actually make contact with them.
When the Sergeant Major sounds the wake up call in Melly's hut, the
Sergeant Majors rope on his uniform is on his right shoulder. But in the
next scene when he is shouting at Patrick Mower, the rope is on his left
shoulder.
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